#Klipsch promedia 2.1 thx subwoofer size drivers#
#Klipsch promedia 2.1 thx subwoofer size driver#
#Klipsch promedia 2.1 thx subwoofer size Bluetooth#
#Klipsch promedia 2.1 thx subwoofer size series#

With satellites working alone, the Micro Tractrix horns dissipate the sound efficiently creating a bit too airy but very wide soundstage. There was an even response and high dynamics with different genres and styles, from electro to classic opera parties. It has also earned the THX certification, which validates the high signal-to-noise ratio ( over 100 dB).Дuring music listening, I enjoyed the accurate representation and detail delivered. The system covers a wide frequency scope from 31Hz to 20kHz and features a very low THD (less than 0.05%). The Klipsch ProMedia 2.1 control pod is limited to volume regulation and appointing the subwoofer level. FeaturesДЄs with other active systems, the Klipsch set consists of the main speaker, the dependent one, and a sub. However, Klipsch satellites are bigger and heavier than Logitech ones. ItвЂ™s a bit smaller than the sub of the Logitech Z623 2.1 system, rated at the same power capacity.

#Klipsch promedia 2.1 thx subwoofer size driver#

It houses the 6.5-inch driver and weighs 11lbs. The Klipsch ProMedia 2.1 subwoofer is larger than speakers, thus having 9.5 x 9.8 x 10.2-inch dimensions.

#Klipsch promedia 2.1 thx subwoofer size drivers#

There are two drivers in each box, the midrange of 3-inch diameter, and a Вѕ-inch tweeter.

#Klipsch promedia 2.1 thx subwoofer size Bluetooth#

If lack of Bluetooth is a dealbreaker for you, LogitechвЂ™s Z407 system includes wireless connection and comes with a subwoofer, though the overall sound canвЂ™t beat the ProMedia 2.1.Д«ut if youвЂ™re in the market for a 2.1 system for your desk and you donвЂ™t need Bluetooth, youвЂ™ll be happy with the Klipsch ProMedia 2.1 THX - especially at the price.Each speaker box is 8.5-inch tall, 5.6-inch wide, and 4.2-inch deep.

#Klipsch promedia 2.1 thx subwoofer size series#

If you donвЂ™t have space for the subwoofer, Bose Companion 2 Series III have even better mid and treble performance, but nowhere near as much bass as the ProMedia 2.1. And you need to have a way to connect to the speakers via a 3.5 mm cable. The subwoofer, which makes the robust bass possible, could be a problem if you donвЂ™t have a lot of space. With excellent all-around sound - and particularly impressive bass -В music, movies, podcasts and even video calls sound great. When it comes to computer speakers with a subwoofer, Klipsch ProMedia 2.1 THX are hard to beat.

There arenвЂ™t any other adjustments you can make to the sound from the speakers. You then tweak the subwoofer level until you achieve the right balance for your room and ears. Klipsch recommends that you set your computerвЂ™s system volume to 70% and control the level of sound through the knob on the right satellite. But if your audio source doesnвЂ™t have a way to output sound through a 3.5 mm port (or through an adapter to 3.5 mm), the ProMedia 2.1 isnвЂ™t for you.

ThereвЂ™s another 3.5 mm input on the side. You then connect the wired 3.5 mm input cable to your computerвЂ™s headphone output. While not large by subwoofer standards, it still takes up space that you may not have in your home office. The hardest part of set up for the ProMedia 2.1 will probably be finding a space for the subwoofer. Impressively, they maintained that volume without distorting -В something few speakers can manage. At max volume, we measured about 95 decibels. The subwoofer also gave significant resonance to podcasts and video conference calls, making the talking heads easy to understand.ДЄnd, wow, can these things get loud. When the Harkonnens attack the Atreides in Dune, the explosions had impressive oomph while the ominous music filled the room, showing off the wide sound the system can produce. Movies and games benefit from the 2.1 system, too. The picked guitars on Fleetwood MacвЂ™s вЂњNever Going Back AgainвЂќ sounded warm and realistic, as did Lindsey BuckinghamвЂ™s voice. The quick, throbbing bass pushed the rhythm on The War on DrugsвЂ™ вЂњVictimвЂќ while the distorted guitars were easy to hear above the mix. The slow, deep beat on Billie EilishвЂ™s вЂњTherefore I AmвЂќ sounded rich from the ProMediaвЂ™s subwoofer, while her voice was clear coming from the satellites.